PhD Marcos Mesquita in the research group Cogmus. This paper is a partial result of a master dissertation developed under guidance of Prof. Finally, the research demonstrates that implications of Stockhausen's concepts about perception of musical structures offers an open field to considerations of temporal experience in contemporary music and provides a useful tool for music theory and composition. Along with these concepts, the research applies definitions from Schaeffer (1966) and Mesquita (2016) in order to evaluate Stockhausen's article consequences and relevance in contemporary repertoire analysis. ![]() Furthermore, this paper defines some processes of alterations, repetitions and perception of time flow through a brief analysis of the arrangement of musical events, putting in evidence Stockhausen's ideas concerning experiential time. Kontakte exists in two versions: a four-track one for electronic sounds, of which the single or double-channel versions are particularly suitable for. Definitions presented by composer Karlheiz Stockhausen in his article Struktur und Erlebniszeit (1955) offers the theoretical basis. ![]() This paper discusses the idea of music as a " shaper " of time from the analysis of the organization of sound material and its structure in the first section of Alexandre Luns-qui's Slope Field (2014).
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